Or post to your blog and anywhere else you feel it would be a good fit. Why Filmmakers are Always So Damn Broke & What They Can Do to Change ItĮnjoyed Film Festivals: Screening Formats & Technical Specs? Please share it in your social networks (Facebook, Twitter, email etc) by using social media buttons at the side or bottom of the blog. If you like Film Festivals: Screening Formats & Technical Specs, then click below: * Six Secrets to get into Film Festivals for FREE! * INDIE FILM SYNDICATE Filmmaking Community If HRIFF does not receive an exhibition copy within two weeks of the festival, HRIFF may screen the Preview Copy on hand. * (Download Your FREE Filmmaking Audio Book) * IFH 046: Film Festival Hacks: Secrets on How to Get Your Film Accepted * Find Chris Film Festival Hacks Course: How to Submit Your Film Like a Pro LINKS AND RESOURCES MENTIONED IN THIS EPISODE ![]() * Subscribe to the Podcast on iTunes, Stitcher, Soundcloud or via RSS. We talk about techincal specs, formats, what Sundance requires and where and when to spend money on deliverables. ![]() SUBMISSIONS BY ORGANISATIONS We are happy to accept submissions from official or professional national organisations. We screen from a wide variety of formats and always to the highest technical standards. In episode 6 you’ll get the skinny on what are the proper screening formats for film festivals today. Should your film be accepted for our official selection, screening formats will be discussed with you by our Programme Planning team. He’s joined by Chris Holland, author of Film Festival Secrets: A Handbook for Independent Filmmakers who has worked closely with more than 200 film festivals including Sundance, AFI Fest, and SXSW. Together we explore the hidden world of film festival programming and pass along tips that give you that critical edge in the festival submissions game. The festival’s programmers go through all the submissions as well to make the final decision.Film Festivals: Screening Formats & Technical Specsįilm Festival Hacks is the podcast that explores the festival circuit “from both sides of the badge.” Alex Ferrari is an award winning filmmaker with nearly 600 international film festivals under his belt. Subject matter, style, production value, creativity, and singular vision all go into consideration and are discussed when evaluating and considering each film. There are instances where screeners disagree considerably and where the average score is superseded by discussion. Please log on to the website, set up an account or log in to your existing account, and follow instructions to submit your film to EIFF directly via the website. The screening formats for films selected. FilmFreeway allows you to submit a Secure Online Screener. During the selection process, which generally includes many wonderful films, the average grade is calculated and considered along with comments. Only 35mm prints in good technical condition can be accepted into the international competition of feature films. Each film is graded and receives a comment. Presentation of other formats and video systems requires authorization from the festival. If you go to your favorite festivals’ websites, you’ll find their submission guidelines and forms available, but nowadays it’s probably best to use a platform like FilmFreeway or Withoutabox. IDFA requires all DCPs to be in XYZ colorspace encoded in JPEG2000. Let’s backtrack one step: you have to submit your film to festivals before they invite you to screen. ![]() this refers to screening in cinemas, not submitting the film (see point 4. Woodstock Film Festival screeners are not provided with press kits or information about the filmmakers, in order to make the process about the content rather than PR. Once your film has been selected, you should deliver the screening copy as a DCP (2K/4K), 35mm, or 16mm film print for cinema screenings. Established in 1985, the Warsaw Film Festival joined in 2009 the elite. Short films have no premiere requirements or prior screening restrictions that. Woodstock presents a program that interweaves emerging and established filmmakers in a friendly, casual environment, that is conducive to creativity, networking, and a good time, surrounded by some of the most beautiful landscapes in the world. Fees from Festival submissions help us keep the process as rigorous and. We are thrilled to discover new emerging talent and are always delighted to receive work from filmmakers who have been here before. From there, your submission will be processed and assigned to EIFF programmers for viewing. ![]() We are looking for great films that show passion and soul. FilmFreeway allows you to submit a Secure Online Screener. All entries are viewed by Woodstock Film Festival screeners and programmers.
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